Stephanie TUCKWELL / 史蒂芬妮．塔克威爾
UK
2016
MA (Distinction) Multi-Disciplinary Printmaking, UWE Bristol, UK
2016
Runner-up, Winsor & Newton Watercolour, Royal Watercolour Society Open Competition, London, UK
2013
Consumer Intelligence—1st prize for Watercolours, Royal West of England 161st Open, Bristol, UK
2013
Exhibition Award, Royal Watercolour Society, London, UK
2009
Regional prize-winner for Wales “Discerning Eye,” London, UK
2016
英國西英格蘭大學多媒體版畫碩士（優等）
2016
皇家水彩協會公開賽溫莎牛頓水彩獎亞軍 英國倫敦
2013
皇家西部英格蘭第161屆公開展 消費者情報獎水彩組首獎 英國布里斯托
2013
皇家水彩協會展覽獎 英國倫敦
2009
「慧眼」威爾斯地區獎得主 英國倫敦
BLOOM #18 花開 #18
2022 / Watercolor with Collage—painted Shoji paper on 640 gsm Saunders Waterford paper 水彩 拼貼（繪於障子紙，貼到 640 gsm 山度士瓦特夫水彩紙）/ 57 × 75 cm
BLOOM #18 is part of a large series of paintings begun at the start of the COVID-19 pandemic in spring 2020. During those uncertain and restricted times, my garden became my world. My inspiration from plant forms became stylised shapes, which were made into compositions to express light, energy and optimism for the future.
In addition to watercolour painted directly onto paper, I painted and collaged Shoji—a smooth, semi translucent Japanese paper. I juxtaposed firm-cut edges of organic shapes with more amorphous and freely painted ones, some of which dissolve at the edges.
本作是 2020 年春季新冠肺炎疫情開始時創作的大型系列畫作之一。在那不確定和受限的時期，我的花園成了我的世界。我從植物形態中獲取靈感，將其轉變成風格化的形狀，並透過構圖來表現光、能量與對未來的樂觀。
除了直接在紙上塗繪水彩外，我還用障子紙（光滑、半透明的日本紙）描繪、拼貼，將帶有堅實切割邊緣的有機形狀，與更無定形、自由揮灑的形狀並置，這之間的一些邊緣會消融交化。
FLURRY 亂舞
2021 / Watercolor, White acrylic ink, and Gesso with a small amount of Painted and collaged Shoji paper 水彩 白色壓克力墨水 打底劑，加上少量彩繪拼貼障子紙 / 73 × 75 cm
FLURRY is a painting from a series called “LIVIA’S GARDEN“, which was inspired by the beautiful garden paintings in Livia’s Villa, Rome.
Here I wanted to convey the sense of delight of being in a garden, a space of joy, fun, peace, reflection and sometimes solace. I used gesture and immediacy of mark to convey transience and fragility of the world we inhabit.
As my working process lies between the intuitive and the intentional, I arrive at my image through orchestrating a range of fluid and sensory explorations of watercolour.
本作是《莉維亞的花園》系列之一，靈感來自羅馬的莉維亞別墅中美麗的花園繪畫，意欲表現置身於花園中的喜悅感，一個歡樂、有趣、和平、省思與不時慰藉的空間。運用姿態和筆觸的即時性，來表達我們身處的世界的短暫與脆弱。
我的創作過程介於直覺與刻意之間，透過對水彩進行一系列流動與感受的探索，來呈現出我的圖像。
POOL 池塘
2022 / Watercolor with Collage—painted Shoji paper on 640 gsm Saunders Waterford paper 水彩 拼貼（繪於障子紙，貼到 640 gsm 山度士瓦特夫水彩紙）/ 57 × 75 cm
POOL is part of my series called “BREATHE.“ This painting refers specifically to the flow of water, celebrating the positive and uplifting experience of the elemental.
In this painting I have collaged painted Shoji paper using cut organic shapes to explore the dynamic contrast between crisp edges and softer, fluidly painted areas.
本作是《呼吸》系列之一，這幅畫側重於水的流動，頌揚這基本元素所帶來的正面且振奮的體驗。
畫作以彩繪障子紙拼貼，運用切割的有機形狀，探索清晰邊緣與柔和、流動畫區域之間的動態對比。
RIDGE 山脊
2021 / Watercolor and Gesso on Saunders Waterford 640 gsm paper 水彩 打底劑 640 gsm 山度士瓦特夫水彩紙 / 75 × 70 cm
RIDGE is a painting from my “BREATHE“ series where my focus concentrated on land forms and the space around it. In this painting I have explored the contrast between painted areas through intuitive calligraphic mark-making and the play of negative space.
I sought to evoke a range of sensations, from energetic movement to a stillness, which could create an atmosphere of contemplation.
本作是《呼吸》系列之一，其中的焦點放在地貌及其周圍空間。在這幅畫中，透過直覺的書法筆觸和負空間的運用，探索繪畫區域之間的對比。試圖喚起從充滿活力的運動到靜止等各種不同的感受，以營造出一種沉思的氛圍。